In order to fully shape the international image of IP system, National institute of ceramic industry design (NICID) has launched a global solicitation of LOGO.
活動自啟動以來，得到了各界的積極響應，應征作品紛至沓來。短短7天內共征集到來自全球的223件投稿作品。除了來自全國各地設計機構、設計高校師生和個人的優秀作品外，征集活動還迎來日本、英國、印度尼西亞、孟加拉國等國際設計師的熱情參與。
Since solicitation of LOGO started, it has received positive responses from various industries, and entries for designs have been plentiful. A total of 223 submissions from all over the world were solicited in just 7 days. In addition to a large number of outstanding designs from design institutions, teachers, students and individuals from design universities across country, solicitation of LOGO also welcomed the enthusiastic participation of foreign friends from Japan, England, Indonesia and Bangladesh.
研究院專家智庫成員組成的專家組經過緊張的評審，從223件投稿作品中選拔出1件最終獲獎作品，5件優秀設計作品。
After an intensive evaluation, an expert group composed of experts and think tanks of the Academy selected 1 final design and 5 outstanding designs from 223 submissions.
首席設計獎
1 Grand Prize ￥50,000
設計師：Unir
國家：孟加拉國
設計說明：C既代表Ceramic（陶瓷），也代表China（中國）。LOGO設計以C為核心，采用射線與字母結合的方式，寓意研究院是面向全球的世界性平臺，是中國陶瓷產業與世界對話的窗口。
Designer: Unir
Nation: Bangladesh
Design Notes: C stands for Ceramic and China. LOGO takes C as the core and uses a combination of rays and letters, implying that the institute is a global platform facing the world and a window for dialogue between Chinese ceramic industry and world.
優秀設計獎
5 Awards ZESEE Teaset
01
設計師：xnnx
國家：英國 · 劍橋
設計說明：LOGO使用鮮明的顏色，象征明亮的未來。不同的方塊代表不同的陶瓷，表明研究院融合與跨界發展陶瓷的定位。
Designer: xnnx
Nation: England · Cambridge
Design Notes: LOGO uses bright colors to symbolize a bright future. Different squares represent different ceramics, indicating the position of the institute to merge and cross-border development of the ceramic industry.
02
設計師：小韓
國家：中國 · 河北
設計說明：圖形化，愛心和握手合作連接。
Designer: 小韓
Nation: China · Hebei
Design Notes: Graphical, love and handshake cooperation connection.
03
設計師：Lin Haoyang
國家：中國 · 江蘇
設計說明：本標志在整體風格上采用國際上最廣泛認可的國際主義風格進行點線面的構成設計，體現出NICID的國際性以及作為一個國家大型設計機構的嚴肅性；中國自古便是陶瓷業的大國，China與ceramic都有著瓷器的含義，故，在標志的主體元素方面，采用“C”的形態進行設計；并且將“C”與瓷器碗口的邊緣弧度與瓷器的圓潤感相結合，從而形成想要的圖形；在配色方面，以黑色為底采用中國紅與陶瓷白作為配色，體現出華夏文化的永恒美感并且融入冷靜的國際主義風格，從而迸發出強烈的視覺沖擊力。
Designer: Lin Haoyang
Nation: China · Jiangsu
Design notes：The overall style of this logo adopts the most widely recognized internationalism style in the world to design dots, lines and planes, which reflects the internationality of NICID and the seriousness of being a large-scale design agency in the country; China has been a big country in ceramic industry since ancient times. Both China and ceramic have the meaning of porcelain. Therefore, in terms of the main elements of the logo, I use the form of "C" to design; and combine the "C" with the edge curvature of the porcelain bowl and the roundness of the porcelain. So as to form the desired graphics; in terms of color matching, using black as the base and using Chinese red and ceramic white as the color matching, reflecting the eternal beauty of Chinese culture and incorporating a calm international style, thus bursting out a strong visual impact.
04
設計師：我已經991725
國籍：中國 · 浙江
設計說明：此logo以陶瓷行業作為切入點，抽取瓷器外形元素，融合字母NICID,NI融合成為瓶口，CID中間的I也是數字1，體現“1+1+X”陶瓷行業設計創新體系。logo以富含科技感的線性表達，字母變形的錯落體現內在的動感，豐富的配色體現行業的蓬勃發展，整體logo呈現簡約具象獨特的品牌形象特征。
Designer: 我已經991725
Nation: China · Zhejiang
Design Notes: Logo takes ceramic industry as an entry point, extracts the shape elements of porcelain, and merges the letters NICID and NI into the bottle mouth. The I in the middle of the CID is also the number 1, reflecting the “1+1+X" ceramic industry design innovation system. Logo is expressed in a linear expression with a sense of science and technology. The scattered and deformed letters reflect the inner dynamics. The rich color scheme reflects the vigorous development of the industry. The overall logo presents simple, concrete and unique brand image characteristics.
05
設計師：酉洺
國籍：中國 · 浙江
設計說明：1. 用NICID字母變形的同時，最明顯能看到一個中文“中”字，用字母CID組合，陶瓷的英文為china與中國CHINA 同拼寫，歷史關聯在此不去贅述，而我們國家陶瓷行業工業設計自然能承載住這個“中”！2. 線條狀表達寓意為工業設計的未來趨勢，數字化生產的數據流，上下起伏與漸變像山水虛實卻活躍跳動，給人積極向上，富有科技感、動感和未來感；3. 如果國家陶瓷行業工業設計有一種信念，那這種信念的顏色必定是紅色。
Designer: 酉洺
Nation: China · Zhejiang
Design Notes: 1. While deforming with word NICID , we can most obviously see a Chinese character "中", combined with the letters CID. The English name of ceramic is china and it is spelled in the same way with “China”. The historical connection will not be repeated here, but our national ceramics The industrial design of the industry can naturally bear this "medium"! 2. The linear expression implies the future trend of industrial design. The ups and downs and gradual changes of the data flow of digital production are like mountains and rivers, but lively beating, giving people a positive, technological, dynamic and futuristic sense; 3. If there is a belief in the industrial design of the national ceramic industry, the color of this belief must be red.
注：優秀設計獎的按作品參賽編號排序
Note: Sort by entry number.
獲獎結果將通過短信、郵件等方式通知到各位設計師，請獲獎設計師注意查收相關通知。
After the results of preliminary evaluation have been announced, notification of finalists in the preliminary evaluation will be notified to the shortlisted contestants via text messages, emails, etc.
請獲得“優秀設計”大獎的5位設計師與微信客服（微信號：18016632287）聯系，提供獎品郵寄地址與聯系方式，截止日期為2021年12月31日，預期將取消獎品發放。
Note: The designer of the Excellent Work Award is requested to contact WeChat customer service (WeChat ID: 18016632287) to provide the prize mailing address and contact information. The deadline is December 31, 2021. The prize distribution is expected to be cancelled.
新起點 新名片
站在新的起點，國家陶瓷行業工業設計研究院持續加強陶瓷工業設計基礎研究，不斷提升公共服務能力。同時瞄準世界設計前沿，以數字化突破產業圍墻與邊界，著力構建以工業設計為核心驅動的陶瓷產業數字化生態新基建，從科學與藝術、人工智能、大數據、標準與管理、新材料等五大基礎研究層面實現顛覆式創新，并著眼于研究成果在實際場景的應用，深度賦能企業產品創新及數字化能力提升，解鎖中國陶瓷產業創新“密碼”，助力中國陶瓷重返世界高峰。
Standing at a new starting point, National institute of ceramic industry design (NICID) continues to strengthen the basic research of ceramic industry design and continuously improve its public service capabilities. At the same time, aiming at the forefront of world design, breaking through industrial walls and boundaries with digitization, and focusing on building a new digital ecological infrastructure for the ceramic industry driven by industrial design, from science and art, artificial intelligence, big data, standards and management, and new materials. At the research level, it achieves subversive innovation, and focuses on the application of research results in actual scenarios, deeply empowers enterprises' product innovation and digitalization capabilities, unlocks the "code" of China's ceramic industry innovation, and helps China's ceramic return to the world's peak.
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